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     <title>10 Best Heavy Metal Compilations</title>
     <link>http://www.noisecreep.com/2013/04/25/best-heavy-metal-compilations/</link>
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     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/rock-lists/" rel="tag">Top Ten Lists</a></p><br/><div class="photo-slim">
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		<img src="http://www.blogcdn.com/www.noisecreep.com/media/2013/04/best-metal-compilations_thumbnail.jpg" /><span>eBay.com (2)</span></p>
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Metal compilations have been pumped out in extraordinary numbers since around 1980, but few are worth paying for and listening to regularly. K-Tel put out a comp of mainstream metal called <em>Masters of Metal</em>, a pointless collection of stuff you could find at any Kmart store: <a href="http://www.noisecreep.com/tag/KISS/">KISS</a>, <a href="http://www.noisecreep.com/tag/Scorpions/">Scorpions</a>, <a href="http://www.noisecreep.com/tag/YT/">Y&amp;T</a>. This comp was absolutely everywhere, and similar cash-grabs followed: among the slew were <em>New Metal Monsters</em> (<a href="http://www.noisecreep.com/tag/MrBig/">Mr. Big</a>, <a href="http://www.noisecreep.com/tag/EnuffZnuff/">Enuff Z'nuff</a>) and <em>Metal Masters</em> (Pat Travers is a metal master?).<br />
<br />
Independents like <a href="http://www.noisecreep.com/tag/MetalBlade/">Metal Blade</a> did something similar, with more useful results: the three-part <em>Best of Metal Blade</em> series was a necessary buying guide, helpful in sorting through the masses of releases coming out at the time (and it helped you stay away from junk like Krank). The release of compilation series' continued into the '90s and 2000s, some worthwhile, others not at all. And then there's Nuclear Blast's all-ballads <em>Metal Dreams</em> series. Don't get me started on that one.<br />
<br />
Due to the amount of junky comps, "compilation" became another word for "crap" to a lot of collectors. A few of them, however, are mandatory.<br />
<br />
The compilations featured below belong in the library of every serious metal aficionado. Some contain material that was exclusive at the time, others provided definitive overviews of a particular movement that landed at the right time. Earache's <em>Grindcrusher</em>, for instance, came in 1990, right in the middle of the first death metal boom, and for a lot of people it acted as a soundtrack for the era. All of these did that in their own way, or turned people onto a movement from earlier years. ]]>
     </description>
     <category>Earache Records</category><category>EaracheRecords</category><category>heavy metal compilations</category><category>HeavyMetalCompilations</category><category>metal blade</category><category>MetalBlade</category><category>metallica</category><category>morbid angel</category><category>MorbidAngel</category><category>noise records</category><category>NoiseRecords</category><category>overkill</category><category>ratt</category><category>relapse records</category><category>RelapseRecords</category><category>slayer</category><category>voivod</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2013-04-25T14:30:00+00:00</dc:date>
</item>
<item>
     <title>10 All-Time Best Heavy Metal EPs</title>
     <link>http://www.noisecreep.com/2013/04/09/best-heavy-metal-ep/</link>
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     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/exclusive/" rel="tag">Exclusive</a>, <a href="http://www.noisecreep.com/category/rock-lists/" rel="tag">Top Ten Lists</a></p><br/><div class="photo-slim">
	<p class="cap">
		<img src="http://www.blogcdn.com/www.noisecreep.com/media/2013/04/best-metal-eps_thumbnail.jpg" /><span>Amazon (2)</span></p>
</div>
While they haven't exactly gone the way of the CD Single (ie. pretty much extinct, if we're talking physical CD Singles), the EP (Extended Play) seems to be a dying breed.<br />
<br />
Used to be that a band would stick an EP out there to keep the name going if they couldn't keep to an album-a-year cycle, or they were just bursting with new material and wanted to share it with the world, or they recorded something that might not make sense on the next album.<br />
<br />
The best EPs aren't the obvious contract fillers (live EPs? C'mon), but are either an introduction to a new band or a stand-alone statement, no silly cover songs or remixes, just good solid new material. Where have all the great EPs gone? There aren't a ton of them in recent memory, but go back to the '80s and '90s and you find some killers.<br />
<br />
Not quite an album, but more than just a single, EPs are also good if you just need a concentrated espresso shot of metal without the full-length meal. ]]>
     </description>
     <category>cathedral</category><category>entombed</category><category>ep</category><category>eps</category><category>heavy metal ep</category><category>HeavyMetalEp</category><category>Hellhammer</category><category>helloween</category><category>john arch</category><category>JohnArch</category><category>Mercyful Fate</category><category>MercyfulFate</category><category>metallica</category><category>possessed</category><category>queensryche</category><category>slayer</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2013-04-09T14:00:00+00:00</dc:date>
</item>
<item>
     <title>10 All-Time Greatest Metal Live Albums</title>
     <link>http://www.noisecreep.com/2013/01/30/best-live-albums-of-all-time/</link>
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     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/rock-lists/" rel="tag">Top Ten Lists</a></p><br/><div class="photo-slim">
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		<img  src="http://www.blogcdn.com/www.noisecreep.com/media/2013/01/best-metal-live-albums_thumbnail.jpg" /><span>Amazon (2)</span></p>
</div>
Is a live album really ever live? Most are manipulated in some way, either in the mixing stage or the overdubbing of guitar leads or vocal passages. The greatest of them all, <a href="http://www.noisecreep.com/tag/KISS/">KISS</a> seminal <em>Alive!</em>, comes with legendarily conflicting reports of how much it was doctored. But who cares? It rocks harder than any other album in existence, KISS or otherwise.<br />
<br />
Whatever they did to make it that way: thank you KISS and Eddie Kramer and the studio you perfected it in. Besides, you cannot bottle and sell the live experience any more than you can capture the wind from the beach in a plastic bag. It's a one-time-only, of-the-moment thing. No high-dollar mobile recording unit can capture the experience, not even a great DVD can truly put you in the audience...and forget about capturing it on your smartphone.<br />
<br />
These albums below are what they are... a fiercer, rawer, gnarlier take on those studio favorites. Sit down, strap on headphones and try to out-scream those screaming fans on the record! ]]>
     </description>
     <category>armored saint</category><category>ArmoredSaint</category><category>destruction</category><category>iron maiden</category><category>IronMaiden</category><category>judas priest</category><category>JudasPriest</category><category>kiss</category><category>motorhead</category><category>ozzy osbourne</category><category>OzzyOsbourne</category><category>rush</category><category>slayer</category><category>type o negative</category><category>TypeONegative</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2013-01-30T13:00:00+00:00</dc:date>
</item>
<item>
     <title>10 Best Progressive Albums of 2012</title>
     <link>http://www.noisecreep.com/2012/12/10/best-progressive-rock-albums-2012/</link>
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     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/exclusive/" rel="tag">Exclusive</a>, <a href="http://www.noisecreep.com/category/rock-lists/" rel="tag">Top Ten Lists</a></p><br/><div class="photo-slim">
	<p class="cap">
		<img src="http://www.blogcdn.com/www.noisecreep.com/media/2012/12/progalbums2012_thumbnail.jpg" /><span>Amazon (2)</span></p>
</div>
With total respect to <a href="http://www.noisecreep.com/tag/Witchcraft/">Witchcraft</a>, <a href="http://www.noisecreep.com/tag/Deftones/">Deftones</a> and <a href="http://www.noisecreep.com/tag/CattleDecapitation/">Cattle Decapitation</a>, who recorded albums that list highly on my year-end favorites (especially Witchcraft's mighty <em>Legend</em>), Noisecreep wanted straight-up progressive albums from me, so prog I give!<br />
<br />
This is a list of the ten best progressive rock and/or progressive metal albums of 2012 to my prog-hungry ears. I mean, real prog, and by real prog I mean rock/metal that has a restless drive to explore new things and not regurgitate what came before. I'm not interested in clones. Then again, "everything plus the kitchen sink" avant-garde rock/metal can be just as unlistenable as the latest Unitopia album or whatever. Try these albums on for size if you haven't already! ]]>
     </description>
     <category>alcest</category><category>anathema</category><category>baroness</category><category>beardfish</category><category>between the buried and me</category><category>BetweenTheBuriedAndMe</category><category>el doom and the born electric</category><category>ElDoomAndTheBornElectric</category><category>enslaved</category><category>Ishahn</category><category>osi</category><category>prog-metal</category><category>prog-rock</category><category>progressive metal</category><category>progressive rock</category><category>ProgressiveMetal</category><category>ProgressiveRock</category><category>the mars volta</category><category>TheMarsVolta</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2012-12-10T12:00:00+00:00</dc:date>
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<item>
     <title>Heavy Metal's Greatest Guitar Teams</title>
     <link>http://www.noisecreep.com/2012/08/16/heavy-metal-guitar-teams/</link>
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     <comments>http://www.noisecreep.com/2012/08/16/heavy-metal-guitar-teams/#comments</comments>
     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/exclusive/" rel="tag">Exclusive</a>, <a href="http://www.noisecreep.com/category/rock-lists/" rel="tag">Top Ten Lists</a></p><br/><div>
	<div class="photo-slim">
		<p class="cap">
			<img src="http://www.blogcdn.com/www.noisecreep.com/media/2012/08/89576036_thumbnail.jpg" /><span>Kevin Winter, Getty Images</span></p>
	</div>
	With the exception of <a href="http://www.noisecreep.com/tag/BlackSabbath/">Black Sabbath</a>, early heavy metal was built upon a foundation of two-guitar bands. Whether it was the sturdy rhythm/lead axis of <a href="http://www.noisecreep.com/tag/Scorpions/">Scorpions</a>' Rudolf Schenker and Uli Jon Roth or <a href="http://www.noisecreep.com/tag/JudasPriest/">Judas Priest</a>'s legendary K.K. Downing and Glen Tipton team, metal with two guitars is usually twice is good as metal with just one. Black Sabbath being a major exception, of course.<br />
	<br />
	Often credited with inspiring this configuration, <a href="http://wishboneash.com/" target="_blank">Wishbone Ash</a> has to be mentioned. Their use of two guitars playing either harmonic themes or trade-off leads was something not many rock bands were doing at the turn of the 1970s. Andy Powell and Ted Turner should be hailed for their innovative approach. They defined the twin-guitar team approach for four albums, hurling off majestic, sublime, attacking blues-prog-hard rock mutations. When Laurie Wisefield replaced Turner in 1974, they continued to refine that approach for eight further albums, heard to especially good effect on <em>There's the Rub</em> (1974), <em>New England</em> (1976), <em>No Smoke Without Fire</em> (1978) and the unfairly ignored <em>Just Testing</em> (1980). Of course, by the 1980s, a heavier 12-string frontline took this idea to new extremes.<br />
	<br />
	Here are 10 of heavy metal's finest guitar teams. A couple pairings may not seem obvious, and may be entirely obscure, but listen to the examples and know and understand the glory of it all. We've pointed you toward specific time codes for the solos, but do check out the whole songs, as there's lots of great interplay throughout all of them</div>
<div>
</div> ]]>
     </description>
     <category>fates warning</category><category>FatesWarning</category><category>iron maiden</category><category>IronMaiden</category><category>judas priest</category><category>JudasPriest</category><category>mercyful fate</category><category>MercyfulFate</category><category>sacred rite</category><category>SacredRite</category><category>thin lizzy</category><category>ThinLizzy</category><category>trouble</category><category>wishbone ash</category><category>WishboneAsh</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2012-08-16T13:50:00+00:00</dc:date>
</item>
<item>
     <title>10 Best Heavy Metal Instrumentals</title>
     <link>http://www.noisecreep.com/2012/07/17/best-metal-instrumentals/</link>
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     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/exclusive/" rel="tag">Exclusive</a>, <a href="http://www.noisecreep.com/category/rock-lists/" rel="tag">Top Ten Lists</a></p><br/><div class="photo-slim">
	<p class="cap">
		<img  src="http://www.blogcdn.com/www.noisecreep.com/media/2012/07/instrumental_thumbnail.jpeg" /><span>Amazon (2)</span></p>
</div>
You can tell a story in a song, but that doesn't mean you need words to convey that story. Music is a language all its own, and oh god yes, heavy metal is our favorite language. Where the instrumental metal album was once the domain of six-string shredders like <a href="http://www.noisecreep.com/2009/09/28/top-10-guitarists-of-the-shred-era/">Vinnie Moore</a> and <a href="http://www.divebombrecords.com/site/bands/chastain/">David T. Chastain</a>, instrumental metal -- or "instrumetal," if you think you're being clever - now also means textural, explosive, highly complex metal as played by <a href="http://www.metal-archives.com/bands/Blotted_Science/94384">Blotted Science</a>, <a href="http://www.noisecreep.com/tag/AnimalsAsLeaders/">Animals As Leaders</a>, <a href="http://www.noisecreep.com/tag/ScaletheSummit/">Scale the Summit</a>, <a href="http://www.metal-archives.com/bands/Canvas_Solaris/17658">Canvas Solaris</a>, and a rarified group of others.<br />
<br />
But what about bands who only write instrumentals as a part-time endeavor? Here are 10 essential tracks that keep their mouths shut and truly let the music do the talking... ]]>
     </description>
     <category>agent steel</category><category>AgentSteel</category><category>alchemist</category><category>coroner</category><category>dark angel</category><category>DarkAngel</category><category>death</category><category>death angel</category><category>DeathAngel</category><category>dream theater</category><category>DreamTheater</category><category>heavy metal instrumentals</category><category>HeavyMetalInstrumentals</category><category>rush</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2012-07-17T13:00:00+00:00</dc:date>
</item>
<item>
     <title>Metallica: Best Cover Band Ever</title>
     <link>http://www.noisecreep.com/2012/05/01/metallica-cover-songs/</link>
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     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/exclusive/" rel="tag">Exclusive</a>, <a href="http://www.noisecreep.com/category/mean-deviation/" rel="tag">Mean Deviation</a></p><br/><div class="photo-slim">
	<p class="cap">
		<img src="http://www.blogcdn.com/www.noisecreep.com/media/2012/04/130699422_thumbnail.jpg" /><span>Andrew Caballero, Getty Images</span></p>
</div>
<em>In his latest installment of his '<a href="http://www.noisecreep.com/2012/02/01/rush-day-2012/">Mean Deviation</a>' column, music historian <a href="http://www.noisecreep.com/tag/JeffWagner/">Jeff Wagner</a> tells us why he thinks </em><a href="http://www.noisecreep.com/tag/Metallica/">Metallica</a><em> is the ultimate heavy metal cover band.</em><br />
<br />
<em>Wagner is the author of '<a href="http://www.amazon.com/gp/product/0979616336/ref=as_li_tf_tl?ie=UTF8&amp;tag=aolmusic-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0979616336" target="_blank">Mean Deviation: Four Decades of Progressive Heavy Metal</a>,' an exhaustive history on the sound and its various offshoots. </em><br />
<br />
<strong>Metallica: Best Cover Band EVER</strong><br />
<br />
The worth of Metallica's discography is hardly a thing of great debate. The 1983-1991 period is one of the towering achievements in metal's grand pantheon. And they've continued to reinvent themselves over the last couple decades, with varying degrees of artistic success. They could have quite in the early '90s and rested on their laurels, so no matter what they do or what crazy-ass directions they take, they should be respected for keeping it going long past the point of really needing to. I say they radically reinvent themselves and become a cover band. Only cover songs. Seriously. Stay with me here...<br />
<br />
When absolutely no one but <a href="http://www.noisecreep.com/tag/BrianSlagel/">Brian Slagel</a> and <a href="http://www.noisecreep.com/tag/LarsUlrich/">Lars Ulrich</a>'s Ego thought they were the best band ever (1982), they'd play various L.A. clubs and present a variety of <a href="http://www.allmusic.com/explore/style/new-wave-of-british-heavy-metal-d7760">NWOBHM</a> songs as their own. Even their first demo was made of two cover songs and one original. They just didn't have enough originals in the early days, and the NWOBHM was the thing that fueled their fire, so why not: they kind of did own these songs, in a way. Young Metallica was a hungry beast, and whether they were ripping through an original such as "Hit the Lights" or co-opting <a href="http://www.noisecreep.com/tag/DiamondHead/">Diamond Head</a> songs as their own, their delivery was ferocious, their rhythmic steamroller ultra-heavy and impossibly tight. They learned their chops from <a href="http://www.noisecreep.com/tag/Motorhead/">Motorhead</a> and <a href="http://www.noisecreep.com/tag/IronMaiden/">Iron Maiden</a> and took it even further over the top. And it wasn't like <a href="http://www.metal-archives.com/bands/Blitzkrieg/685">Blitzkrieg</a> or <a href="http://www.metal-archives.com/bands/Savage/1609">Savage</a> songs needed revamping, but Metallica did it anyway and usually always capitalized and improved upon the originals. They sounded like bona fide Metallica songs, and without such intensive schooling, gems like "Creeping Death," "Ride the Lightning" and "Leper Messiah" might never have come to be. ]]>
     </description>
     <category>budgie</category><category>diamon head</category><category>DiamonHead</category><category>mean deviation</category><category>MeanDeviation</category><category>metallica</category><category>moon</category><category>nwobhm</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2012-05-01T11:00:00+00:00</dc:date>
</item>
<item>
     <title>Sabbath Proggy Sabbath:  Ruminations on the First Progressive Metal Album</title>
     <link>http://www.noisecreep.com/2012/04/02/sabbath-bloody-sabbath/</link>
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     <comments>http://www.noisecreep.com/2012/04/02/sabbath-bloody-sabbath/#comments</comments>
     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/exclusive/" rel="tag">Exclusive</a>, <a href="http://www.noisecreep.com/category/mean-deviation/" rel="tag">Mean Deviation</a></p><br/><div class="photo-slim">
	<p class="cap">
		<img src="http://www.blogcdn.com/www.noisecreep.com/media/2012/04/sabbath-1333314965_thumbnail.jpg" /><span>Black Sabbath</span></p>
</div>
<em>In the third installment of his '<a href="http://www.noisecreep.com/2012/02/01/rush-day-2012/">Mean Deviation</a>' column, music historian <a href="http://www.noisecreep.com/tag/JeffWagner/">Jeff Wagner</a> tells us what he thinks is the first true progressive metal album.</em><br />
<br />
<em>Wagner is the author of '<a href="http://www.amazon.com/gp/product/0979616336/ref=as_li_tf_tl?ie=UTF8&amp;tag=aolmusic-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0979616336" target="_blank">Mean Deviation: Four Decades of Progressive Heavy Metal</a>,' an exhaustive history on the sound and its various offshoots. </em><br />
<br />
<strong>Sabbath Proggy Sabbath: Ruminations on the First Progressive Metal Album</strong><br />
<br />
What is your definition of progressive metal? Fourteen-minute songs crammed with 11 minutes of guitars and keyboards trading arpeggios, no real song anywhere? Is it about overblown conceptual double-albums that pit invisible cosmic entities against a pantheon of Norse gods, lyrics at a 57,899 word count? Is it a highly technical approach that only 17 musicians in the world could possibly pull of? If these sound similar to your own definition (I realize these sorts of things are personal and highly subjective), then you might not dig what follows. But hear me out.<br />
<br />
My personal definition of "progressive" as it applies to music, specifically to metal, doesn't include a single band that sounds like they're trying to be the next <a href="http://www.noisecreep.com/tag/DreamTheater/">Dream Theater</a>. Sheepish behavior is the antithesis of "progressive," and templates are anathema. "Progressive" uniquely treads new territory and then never treads that same territory again. It is a perpetual forward thrust into the unknown. It is exemplified by a band that keeps you guessing, where you never really know what's lurking around the next corner. It is bravery. ]]>
     </description>
     <category>Black Sabbath</category><category>BlackSabbath</category><category>mean deviation</category><category>MeanDeviation</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2012-04-02T10:00:00+00:00</dc:date>
</item>
<item>
     <title>Does the 'Sophomore Slump' Exist in Heavy Metal</title>
     <link>http://www.noisecreep.com/2012/03/01/heavy-metal-sophomore-albums/</link>
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     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/exclusive/" rel="tag">Exclusive</a>, <a href="http://www.noisecreep.com/category/rock-lists/" rel="tag">Top Ten Lists</a>, <a href="http://www.noisecreep.com/category/mean-deviation/" rel="tag">Mean Deviation</a></p><br/><div class="photo-slim">
	<p class="cap">
		<img src="http://www.blogcdn.com/www.noisecreep.com/media/2012/02/slayer-1330571202_thumbnail.jpeg" /><span>Amazon (2)</span></p>
</div>
<em>In the second installment of his '<a href="http://www.noisecreep.com/2012/02/01/rush-day-2012/">Mean Deviation</a>' column, veteran music journalist <a href="http://www.noisecreep.com/tag/JeffWagner/">Jeff Wagner</a> takes a deep look at the infamous "sophomore slump." Check out the piece as he runs through several metal and hard rock subgenres and examines whether some of our favorite artists' stumbled on their sophomore albums or not.</em><br />
<br />
<em>Jeff Wagner is the author of '<a href="http://www.amazon.com/gp/product/0979616336/ref=as_li_tf_tl?ie=UTF8&amp;tag=aolmusic-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0979616336" target="_blank">Mean Deviation: Four Decades of Progressive Heavy Metal</a>,' an exhaustive history on the sound and its various offshoots. </em><br />
<br />
What Sophomore Slump?!?<br />
<br />
It takes a lifetime to write your first album, and 12 hectic months to scramble your second album together."<br />
<br />
This is a composite of a sentiment we've heard many times. The belief is that many bands' debuts are definitive, foundational masterpieces, while second albums are rushed, derivative, and lacking inspiration. You hear this said all the time. And it's crap.<br />
<br />
Certainly there are a number of debut albums in the metal genre that were never topped by later efforts. 'Holy Diver' (<a href="http://www.noisecreep.com/tag/Dio/">Dio</a>), 'Bonded by Blood' (<a href="http://www.noisecreep.com/tag/Exodus/">Exodus</a>), 'Out of the Cellar' (<a href="http://www.noisecreep.com/tag/Ratt/">Ratt</a>), 'The Legacy' (<a href="http://www.noisecreep.com/tag/Testament/">Testament</a>), 'Seven Churches' (<a href="http://www.noisecreep.com/tag/Possessed/">Possessed</a>) and self-titled debuts by <a href="http://www.noisecreep.com/tag/Danzig/">Danzig</a>, <a href="http://www.noisecreep.com/tag/MetalChurch/">Metal Church</a>, <a href="http://www.noisecreep.com/tag/AngelWitch/">Angel Witch</a> and <a href="http://www.noisecreep.com/tag/Bathory/">Bathory</a> tower over their follow-ups. But these are exceptions to the rule.<br />
<br />
This is just one person's opinion, of course, but evidence seems to support the less popular "second albums are better" theory I'm putting forth here. Bands might have a lifetime to gather inspiration and drive for that all-important debut, but once they've figured out their sound and have that initial statement behind them, the creative doors can truly fly open and put many great bands in the lap of the gods. Ready for some mythbusting? ]]>
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     <category>aerosmith</category><category>anvil</category><category>entombed</category><category>iron maiden</category><category>IronMaiden</category><category>jeff wagner</category><category>JeffWagner</category><category>judas priest</category><category>JudasPriest</category><category>led zeppelin</category><category>LedZeppelin</category><category>mean deviation</category><category>MeanDeviation</category><category>megadeth</category><category>metallica</category><category>queensryche</category><category>riot</category><category>st. vitus</category><category>St.Vitus</category><category>trouble</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2012-03-01T11:00:00+00:00</dc:date>
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     <title>Heavy Metal Concept Albums That Should Be Made Into Movies</title>
     <link>http://www.noisecreep.com/2012/02/23/concept-albums-made-into-movies/</link>
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     <comments>http://www.noisecreep.com/2012/02/23/concept-albums-made-into-movies/#comments</comments>
     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/exclusive/" rel="tag">Exclusive</a>, <a href="http://www.noisecreep.com/category/rock-lists/" rel="tag">Top Ten Lists</a></p><br/><div class="photo-slim">
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		<img src="http://www.blogcdn.com/www.noisecreep.com/media/2012/02/conceptalbums_thumbnail.jpeg" /><span>Amazon (2)</span></p>
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To say that heavy metal music possesses a flair for the dramatic would be the understatement of the century. From epic battles between God and Satan to musclebound warriors swishing swords and winning over busty babes, the imagery is often theatrical, cinematic, and over-the-top enough to draw equal amounts of ire and praise. You either get it or you don't. And apparently Hollywood hasn't quite gotten it. Yet.<br />
<br />
It took Hollywood (and technology) decades to catch up to comic books; maybe the industry's next frontier is film adaptations of hard rock and heavy metal concept albums. We can think of more than a handful of intriguing conceptual works that have been delivered by music's more imaginative minds, and below are 10 top picks that would surely make sense if translated from sound to big screen sound-and-vision. How cool would it be if someone in Hollywood had the balls to bankroll some of these movie ideas? ]]>
     </description>
     <category>coheed and cambria</category><category>CoheedAndCambria</category><category>iron maiden</category><category>IronMaiden</category><category>king diamond</category><category>KingDiamond</category><category>mastodon</category><category>queensryche</category><category>rush</category><category>venom</category><category>voivod</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2012-02-23T12:00:00+00:00</dc:date>
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     <title>Heavy Metal Grammy Awards: Who Has Won, Who Should Have Won</title>
     <link>http://www.noisecreep.com/2012/02/10/heavy-metal-grammy-award/</link>
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     <comments>http://www.noisecreep.com/2012/02/10/heavy-metal-grammy-award/#comments</comments>
     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/exclusive/" rel="tag">Exclusive</a>, <a href="http://www.noisecreep.com/category/rock-lists/" rel="tag">Top Ten Lists</a></p><br/><div class="photo-slim">
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		<img src="http://www.blogcdn.com/www.noisecreep.com/media/2012/02/grammy-winners-456-020912_thumbnail.jpg" /><span>Getty Images(3)</span></p>
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<em>"I don't know what this means. I don't think it means anything"<br />
-- <a href="http://www.spinner.com/tag/EddieVedder/" target="_blank">Eddie Vedder</a>, accepting a Grammy for <a href="http://www.spinner.com/tag/PearlJam/" target="_blank">Pearl Jam</a>'s 'Spin the Black Circle,' 1996</em><br />
<br />
I tend to take the Pearl Jam Attitude toward the Grammys, but it's still fun to sit back and watch people who know nothing about metal try and hand out awards for "Best Performance" every year. It seems more a popularity contest than meaningful accolades for truly state-of-the-art performance. <a href="http://www.noisecreep.com/tag/Motrhead/">Mot&ouml;rhead</a>, <a href="http://www.noisecreep.com/tag/BlackSabbath/">Black Sabbath</a>, <a href="http://www.noisecreep.com/tag/IronMaiden/">Iron Maiden</a> and <a href="http://www.noisecreep.com/tag/JudasPriest/">Judas Priest</a> have won awards recently, but are they really offering new material that matches the vitality of their earlier output, or that of hungrier, in-their-prime bands like <a href="http://www.noisecreep.com/tag/Opeth/">Opeth</a> or <a href="http://www.noisecreep.com/tag/Meshuggah/">Meshuggah</a>? With all that in mind, below is a recap of each year's nominees, who won, which nominee should have won, and who might have taken home the award in that unattainable utopia, the proverbial "perfect world." ]]>
     </description>
     <category>alice cooper</category><category>AliceCooper</category><category>anathema</category><category>as I lay dying</category><category>AsILayDying</category><category>At The Gates</category><category>AtTheGates</category><category>Black Sabbath</category><category>BlackSabbath</category><category>Corrosion of Conformity</category><category>CorrosionOfConformity</category><category>cradle of filth</category><category>CradleOfFilth</category><category>darkthrone</category><category>Deftones</category><category>dragonforce</category><category>dream theater</category><category>DreamTheater</category><category>grammies</category><category>grammys</category><category>gwar</category><category>helmet</category><category>Iron Maiden</category><category>IronMaiden</category><category>Jethro Tull</category><category>JethroTull</category><category>Judas Priest</category><category>JudasPriest</category><category>King Diamond</category><category>KingDiamond</category><category>korn</category><category>marilyn manson</category><category>MarilynManson</category><category>Mastodon</category><category>megadeth</category><category>Metallica</category><category>ministry</category><category>motorhead</category><category>Nashville Pussy</category><category>NashvillePussy</category><category>nine inch nails</category><category>NineInchNails</category><category>opeth</category><category>ozzy osbourne</category><category>OzzyOsbourne</category><category>Pantera</category><category>Pearl Jam</category><category>PearlJam</category><category>rage against the machine</category><category>RageAgainstTheMachine</category><category>Rammstein</category><category>rob zombie</category><category>RobZombie</category><category>slayer</category><category>slipknot</category><category>soundgarden</category><category>Spineshank</category><category>Stone Sour</category><category>StoneSour</category><category>the grammys</category><category>TheGrammys</category><category>tool</category><category>trouble</category><category>type o negative</category><category>TypeONegative</category><category>Voivod</category><category>white zombie</category><category>WhiteZombie</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2012-02-10T10:40:00+00:00</dc:date>
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     <title>Rush Day 2-1-12: Metal Historian Jeff Wagner on the Canadian Legends</title>
     <link>http://www.noisecreep.com/2012/02/01/rush-day-2012/</link>
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     <comments>http://www.noisecreep.com/2012/02/01/rush-day-2012/#comments</comments>
     <description>
     <![CDATA[<p>Filed under: <a href="http://www.noisecreep.com/category/news/" rel="tag">News</a>, <a href="http://www.noisecreep.com/category/exclusive/" rel="tag">Exclusive</a>, <a href="http://www.noisecreep.com/category/mean-deviation/" rel="tag">Mean Deviation</a></p><br/><div class="photo-slim">
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			<img src="http://www.blogcdn.com/www.noisecreep.com/media/2012/02/rushlive_thumbnail.jpg" /><span>Getty Images</span></p>
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	<p class="cap">
		<em>With this column we welcome Jeff Wagner to the Noisecreep realm.</em></p>
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<em>Jeff is most recently known for his book,</em> 'Mean Deviation: Four Decades of Progressive Heavy Metal,' <em>and with this column he expounds upon a variety of ideas and topics related to Mean Deviation and, in true deviant spirit, occasionally veers off that path to travel even further down metal's hidden corridors.<br />
<br />
In celebration of Rush Day day today (2-1-12), Wagner digs into the history, and also shares his personal anecdotes, on one of the forefathers of progressive hard rock and metal.</em> ]]>
     </description>
     <category>alex liefson</category><category>AlexLiefson</category><category>geddy lee</category><category>GeddyLee</category><category>rush</category> 
     <dc:creator>Jeff Wagner</dc:creator>
     <dc:date>2012-02-01T17:10:00+00:00</dc:date>
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