Yes Bring the House Down in Los Angeles With Epic Three-Album Show
Last night (March 6), at the tour's fourth stop, in downtown Los Angeles at the historic Orpheum Theatre, Yes demonstrated why they remain one of the most vaunted and respected musical forces in progressive rock among both fans and players alike. The Rock and Roll Hall of Fame may not feel a need to acknowledge this seminal group, but judging from the emotion and positive energy from the sold-out house, the legions of Yes lovers don't care about awards and stuffy critic accolades. What they do care about is soaring, intricate, timeless music that transports the listener into another time and space.
As the lights dimmed and the strains of "The Firebird Suite" filled the theater just after 8 p.m., the band members stepped into place and the journey began with a full reading of 1972's Close to the Edge. The last album to feature original drummer Bill Bruford, the title track of the record was inspired by Hermann Hess's book, Siddhartha.
Singer Jon Davison, now a year into his role as front man (he replaced Benoit David) demonstrated from the outset that he is more than up to the task. Evoking the pitch and range of original singer Jon Anderson, Davison, who once spent time in a Yes tribute band, seemed comfortable, earnest and a little in awe of the music himself (his childhood pal, Foo Fighters drummer Taylor Hawkins, was also in the house).
After Close to the Edge, it was time for 1977's Going for the One, notable back then for featuring shorter, punchier songs as opposed to the sprawling epics that by then had come to define their approach. The album provided a nice counterpoint to the weightier Edge, and culminated with a confetti blizzard that turned the vintage theater into a spacey, winter wonderland.
After a brief intermission, Yes closed out the night with 1970's The Yes Album, the band's third effort and the first to feature guitarist Steve Howe (who remains a compelling, professorial focal part of the Yes life experience). This was perhaps where the band found its most effervescent groove, opening with "Yours Is No Disgrace," then featuring Howe's nimble-fingered acoustic vamping on "Clap" before rolling through one of the band's most beloved signatures, "I've Seen All Good People." The well-oiled rhythm section of drummer Alan White and bassist Chris Squire provided many subtle flourishes, as did keyboardist Geoff Downes.
The encore was the swirling and knotty FM radio staple, "Roundabout."
Blending elements of jazz, classical, blues, funk, country and more, Yes reminded one that "prog" music as it is become known, is not merely about bone jarring time changes and lightning fast playing proficiency. At one time it was about exploration, experimentation and an elegant, seamless blending of many musical styles into one space-age storm that remains inspired, atmospheric and very hard to categorize.
This was a feast for the followers; faithful renditions for the many die hard starship troopers that were no doubt reliving many scrapbook Yes memories over the years. But the show was not about mere nostalgia. This is a band that still feels strangely new, simply by doing what they do, pushing the boundaries and presenting songs that, like the wildly colorful and original Roger Dean artwork that represents them, are just beautifully designed and built to last.
Yes tour dates:
03/08 Temecula, CA Pechanga Theater (at Pechanga Casino)
03/09 Reno, NV Silver Legacy Casino
03/12 Aspen, CO Belly Up Aspen
03/14 Omaha, NE Holland Performing Arts Center
03/16 Hammond, IN The Venue at Horseshoe Casino
03/17 Louisville, KY Palace Theatre
03/18 Kansas City, MO The Midland by AMC
03/20 Austin, TX ACL Live at the Moody Theater
03/21 Grand Prairie, TX Verizon Theatre
03/22 Biloxi, MS Hard Rock Live - Biloxi
03/24 Hollywood, FL Seminole Hard Rock Live Arena
03/25 Ft. Lauderdale, FL MSC Poesia
03/30 Melbourne, FL Maxwell C. King Center for the Perf. Arts
04/02 Clearwater, FL Ruck Eckerd Hall
04/05 Mashantucket, CT MGM Grand at Foxwoods
04/06 Hampton, NH Hampton Beach Casino Ballroom
04/07 Bethlehem, PA Sands Bethlehem Event Center
04/09 New York, NY Beacon Theatre
04/11 Toronto, ON Massey Hall
04/12 Detroit, MI Fox Theatre